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(The official Dylan website has already begun to experiment with this, letting visitors play with the stems on “Like a Rolling Stone.Spanning four sections of her life, Notes from the Archive explores Rogers’ 2016 Lower East Side band at the end of her time at NYU, her 2014 independent record Blood Ballet, her first-ever band Del Water Gap and her 2012 debut record The Echo. Dylan’s hundreds of original master tapes to be digitized down to the level of their individual instrumental tracks, or “stems,” with the potential for close examination or even interactive exhibitions that would let a visitor zoom in on the organ or guitar. Aside from lyrics and paperwork, the collection also includes a huge amount of multimedia. “We were living in the era of ‘Hope I die before I get old.’”įor the Dylan archive, at least, there is more than enough to study. “Was anybody sitting around worrying about this kind of thing back then?” he said.

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But while he acknowledged the need for professional maintenance of decades-old archives of major artists, he also noted the disconnect between the needs of professional archivists and the culture of rock in the 1960s. Springsteen, declined to comment on his client’s papers. Dylan to claim a large charitable donation for tax purposes.

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The full archive was appraised at more than $60 million, with the bulk of it given as a donation the difference between the appraised value and the purchase price may allow Mr. Kaiser and others involved in the deal declined to comment. When asked about the size of the transaction, Mr. He had been scheduled to make a stop while passing through Tulsa on tour last year, but a tornado whipping through the region gave him only enough time to play the show and make it to the next town. Dylan has not visited the foundation, the Gilcrease or the university. “We will be set up for serious scholars and for people who have a record of being Dylanologists,” he said. Although plans are still being made, the Kaiser foundation is also considering a spot next to the Guthrie museum for a new Dylan gallery that will be open to the public.Īccess to the bulk of the archive will be restricted, but Steadman Upham, the president of the University of Tulsa - and an avowed Dylan fan - acknowledged that when it comes to experts in this material, the standard academic credentials need not apply. The Gilcrease has a vast collection of western art and early colonial archives, a fittingly historical setting for a songwriter whose words are regularly cited by Supreme Court justices. Most of the material will be housed at the Helmerich Center for American Research, a facility at the Gilcrease Museum, which is affiliated with the university. So he pitched the collection to the Kaiser foundation and the University of Tulsa as a magnet for both scholarly study and international tourism. Horowitz said, “it would almost be as if it was just, after Emerson and after Updike, here comes Bob.” But he did not want it to be treated as just another store of papers inside a giant library. Horowitz, whose deals for the papers of figures like Norman Mailer, John Updike and Kurt Vonnegut have made him the go-to broker of major literary archives, said that the Dylan collection could have gone to virtually any university. Dylan’s camp eventually hired an in-house archivist and retained Mr. But as curious collectors and institutions made inquiries, and as evidence mounted of the astronomical sums paid at auction for some of his early manuscripts - a handwritten copy of “Like a Rolling Stone” sold for more than $2 million at Sotheby’s in 2014 - Mr. Dylan’s archives had been amassed over the years as he and his office simply placed reams of material in storage. Levit said, made him think it had to be either Mr. Then, in September 2014, Glenn Horowitz, a rare-book dealer in New York who had brokered the Guthrie transaction, emailed Ken Levit, the executive director of the Kaiser foundation, teasing an opportunity of “global significance.” The hyperbole, Mr. The foundation built a slick mini-museum for the Guthrie material in downtown Tulsa, with interactive displays for the public and a professional staff for the papers.

“One of the ways you can try to make your city cool is by attracting talented young people and hoping that a number of them stick.” “Portland wasn’t always cool Seattle wasn’t always cool,” Mr.

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